Do you see now what I was trying to describe about the dry edge? Using the acrylic on the edge after the watercolor was tricky, so I practiced it on a scrap sheet first.
I'm trying to decide about the framing. I want to do something different, so one of the things I'm considering is sandwiching the painting between two sheets of glass, no frame, just bolted together, or something like that. Any suggestions would be welcomed. Definitely will use the original white paper as my mat.
Now it's on to the white rose.
so stunning, and i love the idea of the two pieces of glass together--and even though sue is the design expert, i am kinda feeling yellow for the 3rd segment of the triptych!
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